Overview of characters
The characters in Twelfth Night are in themselves a large part of the comedy in this play. Lots of them are over-the-top in their emotions and behaviour. For example, Olivia and Orsino are both entirely consumed by their love, whereas Sir Toby and Sir Andrew do nothing but drink and fool around. In fact the only character to take life seriously at all is Malvolio.
The four most important characters are:
- Viola
- Olivia
- Orsino
- Malvolio
Viola
Viola lands in Illyria after a shipwreck in which her twin brother, Sebastian is lost. Not knowing what to do or where to go, Viola decides to disguise herself as a boy and, calling herself Cesario, to work for the Duke Orsino. She is sent by the Duke to wooTo court or date somone to gain their love the Countess Olivia, though this plan backfires somewhat when Olivia falls in love with ‘Cesario’ (not realising he is actually a girl). Viola in turn falls in love with the Duke. In the end Sebastian appears and after some added confusion everything works out fine. Sebastian and Olivia get married and Orsino, discovering that his best friend is really a woman, proposes to her instead.
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Although Viola, with her hidden identity, is the cause of much confusion in the play, she is still one of the most honest and sympathetic characters.
Character attributes
- Loyal - even when she has fallen in love with Orsino, she maintains her disguise as Cesario and woos Olivia on the Duke’s behalf.
- Passionate - when Viola speaks of her love for Orsino, she suggests she could pine away for love of him.
- Genuine - whereas Orsino and Olivia seem able to switch the focus of their love quite quickly – Orsino from Olivia to Viola and Olivia from Cesario to Sebastian – Viola remains true to her feelings throughout.
Friends, family and enemies
Viola's friends are:
- Orsino - her master and her love
- Olivia - the countess inadvertently falls in love with Viola
She is related to:
- Sebastian - her brother speaks of her with love
She is enemies with:
- Sir Andrew Aguecheek - he reluctantly duels with her because of Olivia
Changes in character
- When Viola finds herself shipwrecked and alone she disguises herself as a boy, Cesario, and gets a job with Duke Orsino.
- Viola falls in love with Duke Orsino but is unable to tell him how she feels.
- Viola reveals that she is in fact a girl and marries the Duke.
Character analysis
Question
How does Viola show she is genuine?
Even though she disguises her love for Orsino by letting him believe she is speaking about a sibling, Viola still speaks truthfully. She says:
VIOLA
My father had a daughter loved a man
As it might be perhaps, were I a woman,
I should your lordship.
Act 2 Scene 4
She is the daughter who loved a man.
Question
What does Viola’s language reveal about her love for Orsino?
Her language shows she is passionately in love with him. When she speaks about love to Orsino she uses poetic language that implies her love is deeply felt.
VIOLA
She pined in thought,
And with a green and yellow melancholy
She sat like Patience on a monument
Act 2 Scene 4
Question
How does Viola show she is serious about loving Orsino?
At the end of the play when Orsino realises Viola is a woman and in love with him, she explains that her commitment to him is as never-ending as the sun.
VIOLA
And all those swearing keep as true in soul
As doth that orbèd continent the fire
That severs day from night.
Act 5 Scene 1
Listening task
Twelfth Night characters - Viola
ORSINO
What dost thou know?
VIOLA
Too well what love women to men may owe.
In faith, they are as true of heart as we.
My father had a daughter loved a man
As it might be perhaps, were I a woman,
I should your lordship.
ORSINO
And what's her history?
VIOLA
A blank, my lord. She never told her love,
But let concealment, like a worm i'th’bud,
Feed on her damask cheek. She pined in thought,
And with a green and yellow melancholy
She sat like Patience on a monument,
Smiling at grief. Was not this love indeed?
We men may say more, swear more, but indeed
Our shows are more than will: for still we prove
In Act 2 Scene 4, Orsino and Cesario (Viola) are talking about love.
Question
What colours does Viola mention to describe sadness?
Green and yellow.
Question
Who do you think Viola is really talking about?
Herself.
Orsino
Orsino is the first character to appear on stage. He is the Duke of Illyria and is hopelessly in love with Olivia. His opening line 'If music be the food of love play' on introduces the main themes of the play and has become one of the most famous lines of Shakespeare.
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Orsino employs Cesario (Viola) as his servant and sends him (her) to wooTo court or date somone to gain their love Olivia on his behalf. He seems determined that she will give in at some point and persists in sending messages of love even when she has quite clearly rejected him.
Later in the play the Duke discovers that Cesario (this time actually Sebastian!) has married Olivia, and he is very hurt. However, he is immediately forgiving when he discovers that his servant is actually a girl, Viola, and so offers her his love instead!
Character attributes
- *Self-indulgent - Orsino seems in love with the idea of being in love.
- Superficial - like Olivia, Orsino is quick to change the object of his affections at the end of the play.
- Fanciful - at the start of the play, Orsino talks about surrounding himself with flowers to enhance his thoughts of love.
Friends
Orsino is friends with:
- Cesario (Viola) - she is loyal as Orsino’s servant and eventually falls in love with him
- Olivia - his object of affection
Changes in character
- He starts the play by asking Cesario (Viola) to woo Olivia on his behalf.
- Despite his proclaimed love for Olivia, he is willing to be spiteful to her when he discovers that she has married Cesario.
- Orsino switches his love easily from Olivia to Viola.
Character analysis
Question
What does Orsino think of himself?.
Orsino is melodramatic. He seems to have an idea of himself as a romantic hero, and is more concerned with the presentation than the content of love. He says:
ORSINO
Love-thoughts lie rich when canopied with bowers.
Act 1 Scene 5
He thinks his love will somehow be stronger if he is surrounded by flowers.
Question
When do we see a spiteful side to Orsino?
ORSINO
I’ll sacrifice the lamb that I do love,
To spite a raven’s heart within a dove.
Act 1 Scene 5
When he discovers Olivia has married Cesario, he says that he’d rather kill his servant than let Olivia have him as her husband.
Question
When is he particularly superficial?
When he says:
ORSINO
Here is my hand; you shall from this time be
Your master’s mistress.
Act 1 Scene 5
Listening task
Twelfth Night characters - Orsino
DUKE ORSINO
If music be the food of love, play on;
Give me excess of it, that surfeiting,
The appetite may sicken and so die.
That strain again, it had a dying fall;
O it came o'er my ear like the sweet sound
That breathes upon a bank of violets,
Stealing and giving odour. Enough; no more.
'Tis not so sweet now as it was before.
O spirit of love, how quick and fresh art thou,
That, notwithstanding thy capacity,
Receiveth as the sea. Nought enters there,
Of what validity and pitch soe'er,
But falls into abatement and low price
Even in a minute. So full of shapes is fancy,
That it alone is high fantastical.
Question
What flowers does Orsino mention?
Violets.
Question
How long does he think love lasts?
Not very long. He says it's 'quick and fresh'.
Olivia
The Countess Olivia is mourning the death of her brother. She says she will refuse to meet with any suitorA male who wishes to marry a particular woman, though when Cesario (Viola) is persistent she agrees to see him (her). She seems to forget about her grief fairly quickly after meeting Orsino’s messenger and sends her steward, Malvolio, after him with a ring. She pretends that Cesario (Viola) has left the ring, but in fact it is a ploy to get him (her) to return.
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When Sebastian arrives, Olivia mistakes him for Cesario (Viola) and asks him to marry her. She is delighted when he agrees, and doesn’t seem to mind at all when she later discovers that her love for Cesario had actually been for Viola, or that her new husband is essentially a stranger to her.
Character attributes
- Temperamental - when we first meet Olivia, she is in mourning for her dead brother. Soon after meeting Cesario however, she is more concerned with love.
- Melodramatic - Maria comments that Olivia’s current melancholy mood is an 'addiction', which suggests that it is insincere. She enjoys the drama of grief.
- Superficial - Olivia seems unconcerned that she has married Sebastian so hastily. The fact that in outward appearance he is exactly like the man (woman) Olivia has fallen in love with is all that seems to matter.
Friends and family
Olivia is friends with:
Maria - her lady-in-waiting
Orsino - he is in love with Olivia
Malvolio - her steward also falls in love with herShe is related to:
Sir Toby Belch - her cousin
Changes in character
- Olivia is in mourning at the start of the play, but seems to forget her loss rather quickly.
- She refuses to meet with any suitors, but with a little persistence from Cesario (Viola) she gives in. Olivia then falls in love with Cesario (Viola).
- At the end of the play Olivia marries Viola’s twin brother, Sebastian.
Character analysis
Question
In what way is Olivia similar to Orsino?
Olivia is as persistent as Orsino in her pursuit of love. She says:
OLIVIA
I would you were as I would have you be
And call upon my soul within the house
Act 3 Scene 1
Even though Cesario (Viola) has already reminded Olivia that he (she) is there to represent Orsino and has told Olivia that he (she) pities her, the countess still wants Cesario to return her love.
Question
What does it suggest about Olivia’s moods when Maria says
"he will smile upon her, which will now be so unsuitable to her
disposition, being addicted to a
melancholy as she is?"
Act 2 Scene 5.
Here Maria explains that her forged letter tells Malvolio to smile at Olivia. However, this will be unwelcome 'now' because the countess is currently addicted to sadness. This suggests that at other times she might similarly be 'addicted' to other extreme emotions and we do see her change to being obsessed with love for Cesario.
Question
How does Olivia show a persistent side to her character?
Olivia is as persistent as Orsino in her pursuit of love. She says:
OLIVIA
I would you were as I would have you be
And call upon my soul within the house
Act 3 Scene 1
Even though Cesario (Viola) has already reminded Olivia that he (she) is there to represent Orsino and has told Olivia that he (she) pities her, the countess still wants Cesario to return her love.
Listening task
Twelfth Night characters - Olivia
VIOLA
Madam, I come to whet your gentle thoughts
On his behalf.
OLIVIA
O by your leave, I pray you!
I bade you never speak again of him;
But would you undertake another suit
I had rather hear you to solicit that,
Than music from the spheres.
VIOLA
Dear lady –
OLIVIA
Give me leave, beseech you. I did send,
After the last enchantment you did here,
A ring in chase of you. So did I abuse
Myself, my servant, and, I fear me, you.
Under your hard construction must I sit,
To force that on you, in a shameful cunning,
Which you knew none of yours. What might you think?
Have you not set mine honour at the stake,
And baited it with all th’unmuzzled thoughts
That tyrannous heart can think? To one of your receiving
Enough is shown; a cypress, not a bosom,
Hideth my heart: so, let me hear you speak.
VIOLA
I pity you.
OLIVIA
That's a degree to love.
VIOLA
No, not a grise; for 'tis a vulgar proof
That very oft we pity enemies.
OLIVIA
Why, then, methinks 'tis time to smile again.
O world, how apt the poor are to be proud!
If one should be a prey, how much the better
To fall before the lion than the wolf!
Question
What did Olivia send to Cesario after their last meeting?
A ring.
Question
What does Cesario (Viola) say he (she) feels about Olivia?
He (she) pities her.
Malvolio
Malvolio is a serious and sober character who has secret ambitions to become a nobleman.
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He is rude, overbearing and insults Sir Toby, Sir Andrew, Maria and Feste. To get revenge they trick him with a forged letter, into believing that the Countess Olivia wants to marry him. He is made to believe that she will love him more if he wears yellow stockings with cross garters and if he smiles more. However, the result is that Olivia thinks he is mad. Maria and Sir Toby Belch lock Malvolio in a dark room where he is tormented by Feste. He is later allowed out to join in the wedding celebrations, but when he realises he has been tricked, he storms out threatening to get his revenge on everyone.
Character attributes
- Controlling - he stops any visitors from disturbing Olivia, including Sir Andrew Aguecheek who is brought by her cousin, Toby Belch.
- Sober - he doesn’t like the fact that Sir Toby and Sir Andrew drink so much.
- Serious - Maria’s forged letter encourages him to smile more (something that he clearly doesn't naturally do much!).
Friends and enemies
Malvolio is friends with:
- Olivia - he tries to protect her and wants to marry her
He is enemies with:
- Sir Toby and Sir Andrew - he finds their excessive partying annoying
- Maria - she writes the forged letter that makes him behave like a madman
Changes in character
- Malvolio appears very sober and serious at the start of the play and then is made to appear mad by the trick that is played on him.
- After reading the letter he begins to wear yellow stockings and to smile.
- At the end of the play he storms off saying he will get revenge on everyone.
Character analysis
Question
Why does Olivia think Malvolio is being too serious?
Malvolio always takes life too seriously. When Malvolio is teased by Feste, Olivia says that he should treat the jester’s comments in the light-hearted they are intended. He treats the little jokes as if they are cannon-balls, and reacts badly to them.
MALVOLIO
To be generous, guiltless, and of free disposition is to take
those things for bird-bolts that you deem cannon bullets
Act 1 Scene 5
Question
Why does Malvolio frown upon Sir Toby?
Malvolio frowns upon drunkenness, especially that of Sir Toby. He says:
MALVOLIO
You must amend your drunkenness
Act 2 Scene 5
When Malvolio imagines being married to Olivia, one of the first things he dreams of doing is telling Sir Toby to change his ways. Earlier he has scolded Sir Toby and Sir Andrew for making noise late at night, even though he has no authority to.
Listening task
Twelfth Night characters - Malvolio
MALVOLIO
Having been three months married to her, sitting in
my state –
SIR TOBY BELCH
O for a stone-bow, to hit him in the eye!
MALVOLIO
Calling my officers about me, in my branched velvet gown, having come from a day-bed,
where I have left Olivia sleeping –
SIR TOBY BELCH
Fire and brimstone!
FABIAN
O peace, peace!
MALVOLIO
And then to have the humour of state; and after a
demure travel of regard - telling them I know my
place as I would they should do theirs - to ask for my
kinsman Toby –
SIR TOBY BELCH
Bolts and shackles!
FABIAN
O peace, peace, peace! Now, now.
MALVOLIO
Seven of my people, with an obedient start, make
out for him. I frown the while, and perchance wind
up watch, or play with my - some rich jewel. Toby
approaches; curtsies there to me –
SIR TOBY BELCH
Shall this fellow live?
FABIAN
Though our silence be drawn from us with th’ears, yet peace!
MALVOLIO
I extend my hand to him thus, quenching my familiar
smile with an austere regard of control –
SIR TOBY BELCH
And does not ‘Toby’ take you a blow o' the lips then?
MALVOLIO
Saying, 'Cousin Toby, my fortunes having cast me on
your niece, give me this prerogative of speech-’
SIR TOBY BELCH
What, what?
MALVOLIO
'You must amend your drunkenness.'
SIR TOBY BELCH
Out, scab!
Question
How does Sir Toby react to Malvolio’s daydream?
He is angry about it and curses.
Question
What does Malvolio say Sir Toby must do?
He should stop drinking.
Additional characters
Sir Toby Belch and Sir Andrew Aguecheek
Sir Toby is Olivia’s cousin and Sir Andrew is his good friend. Together they spend most of their time drinking. Sir Andrew has hopes of marrying Olivia, but she refuses to see him. Together with Maria, they play a trick on Malvolio and later attack Cesario who has won the heart of the Countess.
SIR TOBY BELCH
I knew ‘twas I, for many do call me fool
Act 2 Scene 5
Character attributes
- Drunkard
- Frivolous
Maria
Olivia’s lady-in-waiting, Maria, is responsible for forging the letter that Malvolio finds in the garden. Although she is not as frivolous as Sir Toby and Sir Andrew she enjoys the practical joke they play on Olivia’s steward. Sir Toby marries her as a reward for carrying out the trick.
MARIA
I have dogged him like his murderer.
He does obey every point of the letter that I dropped to betray him.
Act 3 Scene 2
Character attributes
- Cunning
- Sharp
Feste
Olivia’s jester is quick-witted and enjoys playing with words. He adds to the chaos and comedy by causing more confusion. His songs vary between the happy and the melancholy and set the tone of the play.
FESTE
This fellow is wise enough to play the fool,
And to do that well craves a kind of wit
Act 3 Scene 1
Character attributes
- Clever
- Funny
Sebastian
Viola’s twin, Sebastian is rescued from the sea by Antonio. He believes his sister drowned in the shipwreck. Later, Sebastian is mistaken for Cesario (his sister in disguise) and is attacked by Sir Andrew and Sir Toby. He is even more surprised when Olivia stops the fight and declares her love for him. Eventually he is reunited with his sister.
SEBASTIAN
And though ‘tis wonder that enwraps me thus
Yet ‘tis not madness.
Act 4 Scene 3
Character attributes
- Quick to fall in love
- Trusting
Antonio
Antonio rescues Sebastian and is determined to look out for him thereafter. He has a reputation as a fighter and a pirate, but he seems protective and loving towards Sebastian. He is heartbroken when he later fights on behalf of Cesario/Viola (thinking she is Sebastian) and she doesn’t know who he is.
ANTONIO
I do adore thee so
That danger shall seem sport, and I will go.
Act 2 Scene 1
Character attributes
- Loyal
- Protective
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